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Art

Patrick Moore, Director of the Andy Warhol Museum, Discusses Life, Art, and Andy Warhol

Credit: Pittsburgh Post Gazette

The world of art seems elusive and exclusive to many, but Patrick Moore helps collapse that stigma with his fresh interview with The Sophia News.

If there’s one thing we learned from Andy Warhol Museum Director, Patrick Moore, it’s that life can take us in all sorts of directions. Working as museum director at the world’s largest collection of the late and great Andy Warhol wasn’t a realized dream of Mr. Moore initially.

Credit: The Warhol

Winding Road to the Warhol

Patrick Moore didn’t major in art history of anything of the sort. He got his degree from Carnegie Mellon in theater directing. His first gig was in a space in New Your City known as “The Kitchen,” which was highly influenced by artists in the area. Much of the world done at this location was centered around the AIDS crisis, and this led Mr. Moore to a non-profit—The Estate Project for Artists with Aids—where he eventually became director.

Though the work was impactful and important, it is the type of work that takes a toll, and Patrick Moore burned out. In need of a stark charge, he packed his bags and changed paths once more. In Los Angeles, Mr. Moore became a writer and producer for Yahoo!. It wasn’t until his husband wanted to discover on new horizons that The Warhol came into focus.

…we came upon the idea of Pittsburgh, which I had always loved from my college days.  It was then an obvious idea to get involved with The Warhol as Andy had always been my favorite artist and my background had been in the art world.”

Credit: The Warhol

Success in Pittsburgh

At the Warhol, Patrick Moore thrives. In an age where many feel that museums are dying, the Warhol is flourishing. It’s the careful balance of visual art, film, and music that makes the Warhol a “first day” attraction in Pittsburgh. The five unique floors delight Warhol curators and newcomers alike.

A large part of Andy Warhol’s platform—socially and work-based—was inclusion. Patrick Moore feels that is part of what makes the museum so successful, and what makes Warhol’s art consistently relevant for years to come.

He brought together every possible kind of person, both in his personal life, his creative environment of The Factory, and in his work itself.  These were people of differing economic backgrounds, sexualities, races, genders.  You name it.  It was the mix that made it interesting.  Uptown and downtown was just the start of it.  And The Warhol is the same… We have one of the most diverse staffs of any art museum in America… There’s space for lots of different people at The Warhol and that’s because of the richness of Warhol’s legacy.”

To learn more about Patrick Moore and the Warhol, read the full interview at The Sophia News.

Art

Greg Hauptner’s Star Studded Journey Leads Him to G-Star Charter School

 The G-Star School of the Arts for Film, Animation, and the Performing Arts In West Palm Beach, FL has become a national leader in preparing students for careers in the entertainment industry. They school has launched the careers of students in film, theater, and behind the scenes making magic for the stage and screen.

Founder and CEO Greg Hauptner is the man behind this innovative Palm Beach County school where students are just beginning their journey in the business. Hauptner has found his home at G-Star, and his journey there is just as remarkable as the stories his students will someday tell about their own exciting careers.

The entertainment industry was not always the career bath for Hauptman. It actually began on the end of a telephone line— and not talking on it. He had traveled and ultimately was installing phone systems in buildings in Miami when a conversation with a neighbor represented the fork in the road.

“He wound up convincing me that if I went to beauty school I could make lots of money,” Hauptner says.

So after finishing beauty school and refining his craft, he opened his own salon in 1976, quickly making a name for himself inside the industry. He joined a professional organization where he met some of the luminaries of the industry like Paul Mitchell and Vidal Sassoon, enabling Hauptner to grow his own business and serve an elite clientele.

It was during this time that he also worked with his first famous client. Susan Ford, daughter of President Gerald Ford, who was the focus of a cover story for Family Circle magazine. It was only the beginning.

By 1980, Hauptner had positioned himself as one of the very best. He began working on what was at the time perhaps the most famous head of hair on the planet: Farrah Fawcett.

Fawcett was starring in a six-week run of “Butterflies are Free” at the Burt Reynolds Theater, a production directed by Dom Deluise.

“Dom and I became really good friends, Farah and I became really good friends,” Hauptner recalls. “Everybody was a close-knit group and it was a time of ‘Oh my God I can’t believe I’m here, this is really cool.”

The celebrity clients continued to come in through Hauptner’s association with the Burt Reynolds Theater. Loni Anderson and Kirstie Alley both sat in the chair to take advantage of Hauptner’s measurable talent. It also gave Hauptner a chance to learn something about his famous clients.

“Being a hairdresser is very unusual… when they’re sitting there they start talking to you and telling you their whole life story—all their secrets—who’s dating who, who’s cheating on who, so you become an intimate part very quickly”

Life is about opportunities, and Hauptner’s work as a hairdresser enabled him to branch out into other parts of the business. He eventually worked as a producer for a handful of lower budget films, which opened his eyes to even more possibilities that would pay dividends down the road.

Children alter priorities, and they did for Greg Hauptner as well. He began trying to think of a new direction, and that is where his next idea began.

He thought, “I’d like to do like a kid’s TV show—like a news magazine and my son could work his way into it.”

Combining the first initial of his son Gregory’s name and an acronym for ‘students in the arts,’ Hauptner came up with the name G-Star for the fledgling program. It eventually aired on both PAX-TV and West Palm Beach, FL educational television station WXEL, showcasing videos produced by regional high school media departments and hosted by two teenagers.

But it was someone else’s idea that would position Greg Hauptner to have such a positive influence on the lives of so many young people with aspirations to enter the entertainment industry.

“Somebody came to me at some point and said ‘you should start a charter school.”

In 2002, there was one more charter school spot available in Palm Beach County, and Hauptner won out in a competition among 14 different companies. While an important victory, it was also a sobering moment.

“I walked out the door and had a piece of paper that said I had a charter school. I had no students, no teachers, no location, no books. I had nothing.”

After finding a location at what was then the Palm Beach Water Department, the process began of assembling a team— and recruiting the students— for the 2003 school year.

“I went to someone and asked if they wanted to join me, and then the two of us sat there and then we interviewed for a position,” Hauptner says of the hiring process. “The one we liked we’d just call them on the phone and have them come right back again and they’d sit on the side of the table with us that same day and the three of us would interview the next person.”

The process led to a truly collaborative effort to build the team of teachers and administrators.

“The teachers hired the teachers and the then the teachers hired the principals and their assistant principals,” Hauptner says. “They were hard workers; money didn’t mean anything. They were all about kids and wanting to educate them. They were true educators.”

After getting the faculty and staff together, getting students presented its own challenges. Hauptner says just a month before opening the school only had 60 students, needing 132 just to break even and stave off shutting the doors just as they started. By the time the bell rang for school to begin, G-Star had 156 students thanks in part to the work of everyone to find the kids and convince them that G-Star was the place for them.

More than a dozen years later, the school is still helping students fulfill their dreams by providing them with the foundation they need to find their place in an industry that can be difficult to break into.

“You take the best and the brightest kids and you teach them to be good actors or filmmakers or whatever it may be and then you graduate them. You’ve developed this wonderful talent—you’re brilliant, it’s terrific—and sincerely they are—and then you say okay, now go get a job.”

Hauptner explains that for example in the film industry, getting on a set is the key to getting a start in the business, and that can be a challenge in itself. At G-Star, kids can get that opportunity right on campus.

“There is no other school in the world that does what we do,” he explains. “I built a motion picture studio and put the school on the back lot.”

“If people want to come in and use our studio I will either give it to them for free or a super-cut rate as long as they have our students on set.”

This gives students the chance to work in many capacities, working in all different departments of the shoot. Some of them even work with the stars themselves.

And while the school is helping its students get the background they need in a very specialized field, it is also helping students excel in the classroom. About 97 percent of G-Star graduates go on to college.

After all these years and a journey through the entertainment that introduced him to the very best of their time, Greg Hauptner is working on preparing the next generation of filmmakers, actors, producers, effects specialists, and other entertainment industry professionals. And G-Star graduates are finding their place across the industry.

“We’ve got kids at Warner Bros, we’ve got kids at Universal, one of our kids is a production manager at the Jim Henson creature shop,” Hauptner says.

It all begins with finding the student’s talent and cultivating it.

“What we have discovered is that children are smarter than any of us put together. They are wildly creative until it is pounded out of them by bad teachers or bad systems that say ‘you’re no good,” he says.

“Our number one mission is to find what they’re interested in and then develop the talent along those ways. The secret of it all is finding something that interests the kid.”